Language：Chinese  

This paper explores the evolution of the concept of "信"(XIN) as one of the criteria in translation within the context of modern translation history. This study specifically examines the Yan Fu's interpretation of XIN as discussed in Tianyan Lun, Lu Xun's perspective on XIN, and the initial application of "诚"(CHENG), as depicted in the Yuwai Xiaoshuo Ji. This study argues that achieving formal equivalence, referred to as XIN, translators need to have sufficient language proficiency and relevant knowledge, while readers must be adequately prepared in their understanding of foreign cultures and in their ability to correspond between their native language and foreign languages. On the contrary, attaining dynamic equivalence, termed CHENG, does not require any linguistic preparation. Yan Fu's concept of XIN in Tianyan Lun emphasizes formal equivalence, while Lu Xun's notion of CHENG in Yuwai Xiaoshuo Ji emphasizes content equivalence. With the expansion of translation practices and debates on translation methodologies, XIN has gradually emerged as one of the acknowledged translation standards in China.

DOI： 10.32286/0002001306

CiNii Books

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Language：Chinese   Publishing type：Research paper (scientific journal)  

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Language：Chinese  

DOI： 10.32286/00027673

CiNii Books

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Language：Chinese  

This paper explores the evolution of the concept of "信"(XIN) as one of the criteria in translation within the context of modern translation history. This study specifically examines the Yan Fu's interpretation of XIN as discussed in Tianyan Lun, Lu Xun's perspective on XIN, and the initial application of "诚"(CHENG), as depicted in the Yuwai Xiaoshuo Ji. This study argues that achieving formal equivalence, referred to as XIN, translators need to have sufficient language proficiency and relevant knowledge, while readers must be adequately prepared in their understanding of foreign cultures and in their ability to correspond between their native language and foreign languages. On the contrary, attaining dynamic equivalence, termed CHENG, does not require any linguistic preparation. Yan Fu's concept of XIN in Tianyan Lun emphasizes formal equivalence, while Lu Xun's notion of CHENG in Yuwai Xiaoshuo Ji emphasizes content equivalence. With the expansion of translation practices and debates on translation methodologies, XIN has gradually emerged as one of the acknowledged translation standards in China.

DOI： 10.32286/0002001306

CiNii Books

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Language：Chinese  

DOI： 10.32286/00027673

CiNii Books

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Language：Japanese   Publisher：関西大学大学院東アジア文化研究科  

In the genre of translation literature, translations, which are rendered into new target languages, are often published constantly from one source language because changes in sentence expression and grammar in the target language often require new translations that match the times. By considering translations that continue to change with the times, it is possible to investigate the transition of translation norms. This paper takes up translations that were conducted based on different social backgrounds from the period spanning the Republic of China (1912) to the present day, by using Toury's descriptive translation methodology to examine Soseki Natsume's I Am a Cat. This is an attempt to compare and analyze the translations from a macro perspective and to consider the transition of translations over time.

DOI： 10.32286/00025726

CiNii Books

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Other Link： http://hdl.handle.net/10112/00025726

Event date： 2023.11

Venue：上海大学  

Event date： 2023.10

Venue：大阪大学  

Event date： 2023.10

Venue：上海外国語大学  

Event date： 2023.9

Venue：関西大学  

Event date： 2023.9

Venue：京都